As any nature writer knows, even the best description will fall far short of the actual experience. There is simply no substitute for being there. The best that any writer can do is strive to capture the moment and hope that the readers have some frame of reference for understanding.
I am quite sure that John Muir regularly felt this tension in his writings, and this explains why his writings are so extravagant in their exaltation of nature. He was pushing and straining the ability of mere words to explain that which is beyond words. Below is Muir's description of a morning in an Alaska fiord in 1879. Despite his grandiose talk of a holy vision of divine fire, I am confident that he felt that his description fell short.
I am quite sure that John Muir regularly felt this tension in his writings, and this explains why his writings are so extravagant in their exaltation of nature. He was pushing and straining the ability of mere words to explain that which is beyond words. Below is Muir's description of a morning in an Alaska fiord in 1879. Despite his grandiose talk of a holy vision of divine fire, I am confident that he felt that his description fell short.
In the evening, after witnessing the unveiling of the majestic peaks and glaciers and their baptism in the down-pouring sunbeams, it seemed inconceivable that nature could have anything finer to show us. Nevertheless, compared with what was to come the next morning, all that was as nothing. The calm dawn gave no promise of anything uncommon. Its most impressive features were the frosty clearness of the sky and a deep, brooding stillness made all the more striking by the thunder of the newborn bergs. The sunrise we did not see at all, for we were beneath the shadows of the fiord cliffs; but in the midst of our studies, while the Indians were getting ready to sail, we were startled by the sudden appearance of a red light burning with a strange unearthly splendor on the topmost peak of the Fairweather Mountains. Instead of vanishing as suddenly as it had appeared, it spread and spread until the whole range down to the level of the glaciers was filled with the celestial fire. In color it was at first a vivid crimson, with a thick, furred appearance, as fine as the alpenglow, yet indescribably rich and deep—not in the least like a garment or mere external flush or bloom through which one might expect to see the rocks or snow, but every mountain apparently was glowing from the heart like molten metal fresh from a furnace. Beneath the frosty shadows of the fiord we stood hushed and awe-stricken, gazing at the holy vision; and had we seen the heavens opened and God made manifest, our attention could not have been more tremendously strained. When the highest peak began to burn, it did not seem to be steeped in sunshine, however glorious, but rather as if it had been thrust into the body of the sun itself. Then the supernal fire slowly descended, with a sharp line of demarcation separating it from the cold, shaded region beneath; peak after peak, with their spires and ridges and cascading glaciers, caught the heavenly glow, until all the mighty host stood transfigured, hushed, and thoughtful, as if awaiting the coming of the Lord. The white, rayless light of morning, seen when I was alone amid the peaks of the California Sierra, had always seemed to me the most telling of all the terrestrial manifestations of God. But here the mountains themselves were made divine, and declared His glory in terms still more impressive. How long we gazed I never knew. The glorious vision passed away in a gradual, fading change through a thousand tones of color to pale yellow and white, and then the work of the ice-world went on again in everyday beauty. The green waters of the fiord were filled with sun-spangles; the fleet of icebergs set forth on their voyages with the upspringing breeze; and on the innumerable mirrors and prisms of these bergs, and on those of the shattered crystal walls of the glaciers, common white light and rainbow light began to burn, while the mountains shone in their frosty jewelry, and loomed again in the thin azure in serene terrestrial majesty. We turned and sailed away, joining the outgoing bergs, while “Gloria in excelsis” still seemed to be sounding over all the white landscape, and our burning hearts were ready for any fate, feeling that, whatever the future might have in store, the treasures we had gained this glorious morning would enrich our lives forever.
A painting of the Muir Glacier by Thomas Hill
John Muir, Travels in Alaska, 1915.
